Overnight Sensations
2-Way Bookshelf by Paul Carmody
| Type | Two-Way |
| Impedance | 8 Ω |
| Power | 25 W |
| Drivers | 2 (2 bands) |
| Low end | 70 Hz |
| Build cost | - |
| Published | 30 Oct 2026 |
Measured response
About this design
This is a design used with permission from Paul Carmody, it is provided free-of-charge:
I wish I had a time machine. I would go back to my bedroom when I was in Jr. High or High School and give these to myself. These are the little bookshelf speakers I imagined I had: huge soundstage, deep bass, tiny box. In reality, back then all I had were some impish Minimus-7s. Sure, they had a "tiny-but-mighty" quality about them, but come on, who was I kidding?
The "Overnight Sensations" were designed to be just that: a quick, economical build that could put out a surprisingly-big sound in a small box. Could be a weekender project for an addict, a gift for a teenager (see above), or--in my case--a set of small, full-bodied monitors that I could listen to while I sat at my desk at work. (Ironically, I have found that if the music sounds too good while I am trying to concentrate, I get distracted and get no work done.)
The Overnight Sensations kit is available at a variety of retailers:
...and probably more I haven't heard of.
Note that some stores sell the kit with a Dayton tweeter, and others sell it with a HiVi tweeter. They're both 20mm dome tweeters, and they sound very similar. The crossover differs very slightly depending on which one you get, but the net sonic effect is essentially the same. So, don't worry about which version you get; they're both equal in my eyes.
This writeup isn't specific to one tweeter or the other. It simply covers the basics of how the Overnight Sensations work. If you want to see the myriad of ways people have built these buggers, just type "Overnight Sensations speaker" into your favorite search engine and get reading.
Cabinet Design

Cabinet plans using 1/2" stock
The advantage of using thinner stock is that the cabinet is smaller and lighter. However, some prefer the added rigidity and heft of thicker stock.

Cabinet plans using 3/4" stock
If you use ¾” material, you should chamfer the woofer hole on the backside of the baffle using a router or file to give the cone some breathing room; this is not necessary with ½” material
The cabinet for the Overnight Sensations can be built with ½” or ¾” MDF or plywood. One should be able to build a pair of these using only one 24”x48” "handypanel" of MDF or plywood available at your local home improvement store. You could probably also get away with doing something this small out of hardwood--and it would look really excellent--but please be mindful that hardwood does shrink and expand with the weather, so detachable baffles would probably be smart.
For this project, I decided to keep things simple, and did not countersink the drivers. The HiVi and Dayton drivers both have attractive, unobtrusive frames, so I just cut a simple 3 5/8" hole for the woofer and a 1 5/16" hole for the tweeter. The first one could possibly be done with a hole saw or jigsaw, should one not have access to a router. The tweeter hole can be done with a 1 1/4" forstner or spade drill bit and a bit of extra filing. Then again, if you want to properly countersink the drivers like a good cabinetmaker (and you have the tools), please do so.
The interior volume of the box is about 4.5 Liters. It is vented, and tuned to 53 Hz, which gives a -3 dB point in the mid 40 Hz range. The vent should be mounted on the back baffle, located somewhere behind the tweeter. Its exact location isn’t critical, as long as the vent openings are at least 1” away from any other surface inside or outside the cabinet.
Notes On Ports
In order to clear up confusion about the vent for the Overnight Sensations, I am spec'ing that one use the 1 3/8" ID Adjustable Port available from Parts Express. Simply glue the sliding portion so that the total vent length is 6". These are easy to mount and give a clean, professional look.
However, if you insist on saving a few bucks, you can use a piece of 1 1/4" SCH 40 PVC pipe. (Whose inner diameter is actually 1 3/8". Why? I have no idea.) This is available at any hardware store. The total vent length is 6" and must include the back baffle.
I should also add that this vent from Parts Express has been used by some builders. Due to its reduced diameter, the stock length of 4" is actually right on-target, so no cutting is required. The downside of this vent is that it's pushing the limits of port velocity. However, there are several very nice builds of the Overnight Sensations out there that use this port, so it must be OK.
Crossover Design


The crossover for the Overnight Sensations uses a 3rd order electrical filter with an L-pad on the tweeter. The woofer uses a 2nd order electrical filter with C3 acting as an Elliptic notch filter. The acoustic slopes are fairly standard 4LR, and cross around 4000 Hz.
Listening Impressions
In a word: "big." The bass these little HiVi drivers can put out is tremendous. They throw out a very large soundstage and can actually fill a medium-sized room very well. I originally built these to sit on my desk, but since they have very full bass (or as some might say "full BSC"), they sounded best put up on a little stand or risor. Once I did that, I absolutely fell in love with listening to them in the nearfield. They image very well not only from left to right, but also in front of, and far behind the speakers. Although the frequency response looks pretty flat, the midrange is voiced with a very subtle droop; I did this out of concern that the metal-cone driver might get fatiguing or annoying after a while. The end result is a speaker that sounds good on most styles of music. Really bad recordings will be evident, but overall it's a pretty forgiving speaker.
One of my favorite uses for this speaker has been for those "wee hours" listening sessions, where it's not feasible to listen at full volume. What I mean is that, at softer listening levels (75 dB or less), large speakers tend to sound sort of unbalanced across the spectrum and thin in the bass--whereas small speakers seem to sound their best at quieter volumes. At these quiet listening levels, the wide and deep soundstage of the Overnight Sensations was still there in full form, letting me enjoy my music while my wife and neighbors slept.
Youtube Guides
Drivers
Bar = the band each driver plays, on a 20 Hz to 20 kHz axis
| Band | Driver | Qty | Range | Air volume |
202002k20k
|
|---|---|---|---|---|---|
| LF | HiVi B4N | 1 | 70 Hz – 4.0 kHz | 4.5 L | |
| HF | Dayton Audio ND20FA-6 | 1 | 4.0 kHz – 20 kHz | - |
LF · HiVi B4N 1 × · 4.5 L
The Responses and Measurements were prepared in the following ways, your actual measurements may vary:
Enclosure modeled and exported frd merged with manufacturer provided response @ 450Hz
Merged response loaded into VituixCad diffraction simulator with front dimensions, exported with horizontal directivity.
HF · Dayton Audio ND20FA-6 1 ×
The Responses and Measurements were prepared in the following ways, your actual measurements may vary:
Enclosure modeled and exported frd merged with manufacturer provided response @ 450Hz
Merged response loaded into VituixCad diffraction simulator with front dimensions, exported with horizontal directivity.
Parts list
From the designer's bill of materials
No parts list yet.
What you download
Free with an accountEnclosure files
| Hivi B4N Bass reflex.vxe | VXE file | 3 KB |
Crossover / electronics files
| Crossover Project.vxp | VXP file | 26 KB |
Response previews
| Tweeter.txt | Text | 18 KB |
| Woofer.txt | Text | 18 KB |
LF HiVi B4N: frequency response files
| Woofer Diffracted hor 0.txt | Text | 18 KB |
| Woofer Diffracted hor 180.txt | Text | 18 KB |
| Woofer Diffracted hor 10.txt | Text | 18 KB |
| Woofer Diffracted hor 20.txt | Text | 18 KB |
| Woofer Diffracted hor 30.txt | Text | 18 KB |
| Woofer Diffracted hor 40.txt | Text | 18 KB |
| Woofer Diffracted hor 50.txt | Text | 18 KB |
| Woofer Diffracted hor 60.txt | Text | 18 KB |
| Woofer Diffracted hor 70.txt | Text | 18 KB |
| Woofer Diffracted hor 80.txt | Text | 18 KB |
| Woofer Diffracted hor 100.txt | Text | 18 KB |
| Woofer Diffracted hor 90.txt | Text | 18 KB |
| Woofer Diffracted hor 110.txt | Text | 18 KB |
| Woofer Diffracted hor 120.txt | Text | 18 KB |
| Woofer Diffracted hor 130.txt | Text | 18 KB |
| Woofer Diffracted hor 140.txt | Text | 18 KB |
| Woofer Diffracted hor 160.txt | Text | 18 KB |
| Woofer Diffracted hor 150.txt | Text | 18 KB |
| Woofer Diffracted hor 170.txt | Text | 18 KB |
LF HiVi B4N: impedance files
| hi-vi-b4n-impedance.txt | Text | 8 KB |
LF HiVi B4N: other measurement files
| Woofer Diffraction.vxb | VXB file | 1 KB |
HF Dayton Audio ND20FA-6: frequency response files
| Tweeter Diffraction hor 0.txt | Text | 18 KB |
| Tweeter Diffraction hor 10.txt | Text | 18 KB |
| Tweeter Diffraction hor 20.txt | Text | 18 KB |
| Tweeter Diffraction hor 30.txt | Text | 18 KB |
| Tweeter Diffraction hor 50.txt | Text | 18 KB |
| Tweeter Diffraction hor 40.txt | Text | 18 KB |
| Tweeter Diffraction hor 60.txt | Text | 18 KB |
| Tweeter Diffraction hor 70.txt | Text | 18 KB |
| Tweeter Diffraction hor 80.txt | Text | 18 KB |
| Tweeter Diffraction hor 90.txt | Text | 18 KB |
| Tweeter Diffraction hor 100.txt | Text | 18 KB |
| Tweeter Diffraction hor 110.txt | Text | 18 KB |
| Tweeter Diffraction hor 130.txt | Text | 18 KB |
| Tweeter Diffraction hor 120.txt | Text | 18 KB |
| Tweeter Diffraction hor 150.txt | Text | 18 KB |
| Tweeter Diffraction hor 140.txt | Text | 18 KB |
| Tweeter Diffraction hor 160.txt | Text | 18 KB |
| Tweeter Diffraction hor 170.txt | Text | 18 KB |
| Tweeter Diffraction hor 180.txt | Text | 18 KB |
HF Dayton Audio ND20FA-6: impedance files
| ND20FA-6.zma | ZMA impedance | 11 KB |
HF Dayton Audio ND20FA-6: other measurement files
| Tweeter Diffraction.vxb | VXB file | 1 KB |
Versions
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